Feminist writer Scarlett Curtis recently shared her perspective on Disney’s classic Aladdin, describing it as an example of cultural appropriation and calling for a general rewriting of fairy tales. Speaking on Good Morning Britain, Curtis argued that the film’s portrayal of Middle Eastern culture is both stereotypical and problematic, emphasizing a need for stories that better respect cultural diversity.
Traditional Fairy Tale Endings Promote Unrealistic Expectations
Curtis expressed that classic fairy tales, including Disney princess stories, set unrealistic life expectations. According to her, these tales often revolve around the idea of a “fairytale ending,” where characters find happiness only through love and a “Prince Charming.” She noted that these narratives can pressure children to aspire to similar, unrealistic ideals rather than embracing their individuality and finding happiness independently.
Criticism Extends to Depictions of Women
Disney princesses are often portrayed as thin, subservient, and conventionally beautiful, which Curtis believes reinforces narrow ideals of femininity. She argued that these female characters frequently rely on male rescuers, which further perpetuates gender stereotypes. Curtis suggested that modern re-imaginings of these stories could feature empowered, self-sufficient heroines as part of a shift toward feminist storytelling.
Other Stars Voice Concerns Over Disney Films
Actresses Keira Knightley and Kristen Bell have also voiced concerns over Disney movies. Knightley revealed she’s banned her young daughter from watching Cinderella and The Little Mermaid, believing they depict passive female roles. Similarly, Bell criticized Snow White for its approach to consent, pointing out to her own children that the prince’s kiss occurs while Snow White is asleep and unable to consent.
The Broader Debate on Modernizing Fairy Tales
The growing scrutiny around traditional fairy tales reflects an evolving discussion on inclusivity and positive role models in children’s media. While some embrace the shift, others, like Piers Morgan, view it as unnecessary criticism of classic stories. As society continues to question longstanding narratives, the desire for empowering and culturally respectful stories becomes increasingly prominent.
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